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art: photo by Burt Glinn of LeRoi Jones/Amiri Baraka and his newborn. New York, 1959
For fathers who are poets…and the people who love them.
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art: photo by Burt Glinn of LeRoi Jones/Amiri Baraka and his newborn. New York, 1959
For fathers who are poets…and the people who love them.
Radio DJ – Alright now, for all you boppers out there in the big city. All you street people with an ear for the action, I’ve been asked to relay a request from the Gramercy Riffs. It’s a special for The Warriors. That’s that real live bunch from Coney, and I do mean The Warriors. Here’s a hit with them in mind.
Radio DJ – Be looking good Warriors, all the way back to Coney. You hear me babies? Good. Real good. Adios.
Warriors, come out to play!
(via zombiesenelghetto)
Schott leather jacket customized by Jean-Michel Basquiat in the 1980s.
(Source: colorandthemuse, via youbroketheinternet)
High top fade hairstyle on Big Daddy Kane
House Party a Classic 90’s joint, really wish that parties were still like this.
I second that emotion. I called where this trend was going months ago here. Some things aren’t just Americana anymore. #jpressjumpuptogetbeatdownJ. Press York Street.
As someone who grew up in a neighborhood where these colors and patterns weren’t a witty cultural reference, but rather a matter of life and death, I’m pretty uncomfortable with this. The combination of preppy elitism and set tripping isn’t cute, it’s a little bit gross.
Pryor, who passed away in 2005 at age 65, didn’t live to see an overly cautious, frequently emasculated black President, although he parodied the concept long before it seemed possible. The comedy he’s best known for was stridently political in a way so intimate and tinged with everyday vulnerabilities that from the vantage point of history it’s possible not to even notice.
-Brandon Harris, Pryor Restraint
(Source: gaivota, via rscspokenword)
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